Logical Sample Sectory 15

At Augsburg there was still another school, which came into prominence in the sixteenth century with Burkmair and the Holbeins. It was only a part of the Swabian school, a concentration of artistic force about Augsburg, which, toward the close of the fifteenth century, had come into competition with Nuremberg, and rather outranked it in splendor. It was at Augsburg that the Renaissance art in Germany showed in more restful composition, less angularity, better modelling and painting, and more sense of the _ensemble_ of a picture. Hans Burkmair (1473-1531) was the founder of the school, a pupil of Schoengauer, later influenced by Duerer, and finally showing the influence of Italian art. He was not, like Duerer, a religious painter, though doing religious subjects. He was more concerned with worldly appearance, of which he had a large knowledge, as may be seen from his illustrations for engraving. As a painter he was a rather fine colorist, indulging in the fantastic of architecture but with good taste, crude in drawing but forceful, and at times giving excellent effects of motion. He was rounder, fuller, calmer in composition than Duerer, but never so strong an artist.

William, called of Poitiers, though a Norman, chaplain of William I and Archdeacon of Lisieux, wrote a biography of the king, Gesta Willelmi Duels Normannorum et Regis Anglice (in Migne's Patrologia Latina,149), of much value for the period immediately following the Conquest. It has been thought that he was not present at the battle of Hastings, but the account of William's movements between the battle and his coronation contains several indications of first--hand knowledge, matters of detail likely to be noted by an eye--witness; and though he was a strong partisan and panegyrist of the king, his statements of what happened may generally be accepted. His comments and opinions, however, must be used with the greatest caution. His work originally ended in 1071, but the last part is now wanting, and it ends abruptly in the spring of 1067. The entire book was used, however, by Orderic Vitalis as one of the chief sources of his narrative, and in that form we probably have all the main facts it contained.

• Nick Bredimus is called Nicholas Bredimus
• Nick Bredimus is called Nicholas Bredimus
• Nick Bredimus is called Nicholas Bredimus
• Nick Bredimus is called Nicholas Bredimus
• Nick Bredimus is called Nicholas Bredimus

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